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Sukhpreet Kahlon

Sukhpreet Kahlon
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Article Hindi

Mehboob Khan’s Aan (1952): A visual spectacle that captured the imagination of the West

We revisit the Dilip Kumar-starrer, which was a lavish experiment with colour, on its 70th anniversary.

over 2 years ago — Sukhpreet Kahlon

Review Punjabi

Khaao Piyo Aish Karo review: Ranjit Bawa is impressive in this amusing but rambling story

The Punjabi-language film has a meandering plot that keeps losing its way and focus.

over 2 years ago — Sukhpreet Kahlon

Article Punjabi

This has been turned into a big issue: Ammy Virk on Sher Bagga's clash with Television

The two Punjabi-language films went head to head last week, resulting in the Television team hitting out at film distributors.

over 2 years ago — Sukhpreet Kahlon

Review

After Word review: An ode to Delhi and the inventiveness of the street

Mallika Visvanathan’s short documentary examines the hidden histories and stories embedded in the city.

over 2 years ago — Sukhpreet Kahlon

Review Urdu

Murder Tongue review: A reminder of the many-faced monster of identity politics

Ali Sohail Jaura’s short film conveys the helplessness of common people at a tumultuous time in Pakistan’s history.

over 2 years ago — Sukhpreet Kahlon

Article Hindi

Amrish Puri was full of beans, humour and life, says biographer Jyoti Sabharwal – Anniversary special

On Amrish Puri's 90th birth anniversary, the veteran journalist and writer remembers the actor who redefined villainy in commercial Hindi cinema.

over 2 years ago — Sukhpreet Kahlon

Review Kashmiri

Trans Kashmir review: An incisive look at a community relegated to the margins of society

Surbhi Dewan and SA Hanan’s feature documentary sensitively captures the hardships, beauty and resilience of a beleaguered group.

over 2 years ago — Sukhpreet Kahlon

Review Punjabi

Posti review: Slow-paced, muddled lament for drug addicts

Rana Ranbir’s issue-based Punjabi feature tries to weave in several tracks without much clarity.

over 2 years ago — Sukhpreet Kahlon

Review Hindi

Chhoti Shameez review: A joyous exploration of what women want

Shruti Vohra’s short film sheds light on female desires through a tiny piece of clothing.

over 2 years ago — Sukhpreet Kahlon

Article Punjabi

We should not run away from the truth, says Manmohan Singh on his film PR

The Harbhajan Mann-starrer exposes the ugly reality immigrants experience when they reach the land of their dreams.

over 2 years ago — Sukhpreet Kahlon

Review English

The Sorrow Of Love review: A study of grief and finding the will to move on

Sohag Sen’s short film traces the pain of losing a loved one.  

over 2 years ago — Sukhpreet Kahlon

Review Hindi

The Broken News review: Jaideep Ahlawat steals the show in this newsroom drama

Vinay Waikul’s series has its moments and hits some right notes but is wanting in its execution.

over 2 years ago — Sukhpreet Kahlon

Article Hindustani

We have to be truthful to what we are trying to say, says Anamika Haksar on Ghode Ko Jalebi Khilane Le Ja Riya Hoon

The writer-director has adopted a unique model of taking her film to the street people and labourers whose lives are brought alive on the silver screen.

over 2 years ago — Sukhpreet Kahlon

Review Gujarati

Dal Bhat review: Innocence lost and courage regained in an arid landscape

The Gujarati-language short by Nemil Shah is a touching story about gender identity.

over 2 years ago — Sukhpreet Kahlon

Review English

Seyran Ates: Sex, Revolution And Islam review – Tracing the long fight for freedom from patriarchy

Nefise Özkal Lorentzen’s documentary traces the life of the activist who is carving a more inclusive space in a conservative religion.

over 2 years ago — Sukhpreet Kahlon

Review Bengali

X=Prem review: A fascinating love story with a sci-fi twist

Srijit Mukherji’s Bengali feature captures the headiness of young love while delving into the realm of memory and emotions.

over 2 years ago — Sukhpreet Kahlon

Review Marathi

Haemolymph review: Sincere film marred by heavy-handed treatment

Sudarshan Gamare’s film raises awareness about a pertinent issue but is impeded by a protracted narrative and choppy performances.

over 2 years ago — Sukhpreet Kahlon

Article Kannada

Nothing is apolitical for me, says Pedro filmmaker Natesh Hegde

The young director who considers Ritwik Ghatak, G Aravindan and Abbas Kiarostami his film school, talks about his debut feature.

over 2 years ago — Sukhpreet Kahlon

Article Hindustani

Prithviraj Kapoor, the shahenshah of Bombay cinema

On the 50th death anniversary of the founder of Hindi cinema's most famous family, a look at the cinematic dominion of the actor par excellence.

over 2 years ago — Sukhpreet Kahlon

Article Kannada

I wanted to showcase our dance form to the world, says Dollu filmmaker Sagar Puranik

The Kannada-language feature revolves around the Karnataka folk art Dollu Kunitha.

over 2 years ago — Sukhpreet Kahlon